You have to deal with these realities. That Highsmith couldn’t openly write homosexual characters because “this was the 1950s, and homosexuality was classified as a disease and a disorder.” That she was racist, anti-Semitic, and “invented nearly 40 aliases, identities she used in writing to various government bodies and newspapers, deploring the state of Israel and the “influence” of the Jews.”

This is why I’m interested in her writing. There is a freedom (of spirit, of action, if not of expression, if that makes sense) and an oppression.